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Thursday, August 31

Farm Aid Lineup Gets More Eclectic

By The Associated Press

Thursday, August 31, 2006; 2:28 PM

CAMDEN, N.J. -- This year's Farm Aid benefit concert will feature not only the nearly annual show's mainstays such as Neil Young and Willie Nelson, but also genres from polka to reggae.

The lineup for the Sept. 30 concert at the Tweeter Center was announced Wednesday.

Farm Aid board founders Nelson, Young and John Mellencamp will be there, along with board member Dave Matthews.

Other acts include reggae's Steel Pulse, polka star Jimmy Sturr, pedal-steel guitarist and New Jersey native Robert Randolph, and rock 'n' roll pioneer Jerry Lee Lewis with Roy Head.

The lineup also includes Los Lonely Boys, Arlo Guthrie, Gov't Mule, Steve Earle and Allison Moorer, Shelby Lynne, Nitty Gritty Dirt Band, Pauline Reese and Danielle Evin.

The benefit concert has been held most years since 1985 and raises money to help farmers keep their land.

The Kooks sell out New York and LA shows

The band forced to add another to US tour

The Kooks have sold out two dates on their up coming US tour in New York and Los Angeles.

Tickets for the band's October 25 date at LA's Spaceland, and their October 28 date at Brooklyn's NorthSix are now all gone.

The band have now added an extra New York show on October 23 at the Bowery Ballroom.

The Kooks, who were one of the hits of the Carling Weekend: Reading and Leeds festivals, are set to play five US dates next month.

The band will play:

New York Bowery Ballroom (October 23)
Los Angeles Safari Sams (24)
Los Angeles Spaceland (25)
San Francisco 300 Ritch (26)
Brooklyn NorthSix (28)

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In The Magazine

Fish-A-Palooza's Tasteless Question of the Day

Which arm is Def Leppard's drummer missing?

'WORST TENANT IN HISTORY' DOHERTY KICKED OUT OF FLAT

Troubled rocker PETE DOHERTY is being evicted from his wrecked London flat after building up more than GBP10,000 ($18,000) in rent arrears. The BABYSHAMBLES frontman, who is currently in rehab being treated for his addictions to hard drugs, has left his landlord shocked at how much damage he has caused to the GBP350,000 ($630,000) property in Hackney. Doherty has reportedly not paid any rent since January (06), while the floor is littered with syringes and broken glass. Landlord ANDREAS PANAYIOTOU says, "As well as not paying his rent, there's both graffiti and blood on the wall, and goodness knows what else. "We have never known anyone like him. (Doherty) is the worst tenant in my company's entire history." A local resident adds, "The front door was nearly always boarded up and covered in graffiti. Then there were the groupies hanging around on the doorstep and his junkie pals banging on his door at all hours and the endless, headbanging racket. "We are glad he's going."

01/09/2006 02:21

GSOTD: El Paso (6/26/94)



"El Paso" by GRATEFUL DEAD

Out in the West Texas town of El Paso I fell in love with a Mexican girl.
Nighttime would find me in Rose's Cantina,
Music would play and Felina would whirl.

Black as the night were the eyes of Felina,
Wicked and evil while casting a spell.
My love was strong for this Mexican maiden,
I was in love, but in vain I could tell.

One night a wild young cowboy came in, wild as the West Texas wind...
Dashing and daring, a drink he was sharing,
With wicked Felina, the girl that I love.

So in anger I challenged his right for the love of this maiden;
Down went his hand for the gun that he wore.
My challenge was answered, in less than a heartbeat
The handsome young stranger lay dead on the floor.

Just for a moment I stood there in silence,
Shocked by the foul evil deed I had done.
Many thoughts ran through my mind as I stood there;
I had but one chance and that was to run.

Out through the back door of Rose's I ran, out where the horses were tied...
I picked a good one; he looked like he could run,
Up on his back and away I did ride.

Just as fast as I could from the West Texas town of El Paso,
Out through the badlands of New Mexico.
Back in El Paso my life would be worthless;
Everything's gone in life nothing is left.

But it's been so long since I've seen the young maiden,
My love is stronger that my fear of death.
I saddled up and away I did go, riding alone in the dark...
Maybe tomorrow a bullet may find me,
Tonight nothing's worse than this pain in my heart.

And at last here I am on the hill overlooking El Paso,
I can see Rose's Cantina below.
My love is strong and it pushes me onward, down off the hill to Felina I go.

Off to my right I see five mounted cowboys,
Off to my left ride a dozen or more.
shouting and shooting; I can't let them catch me,
I've got to make it to Rose's back door.

Something is dreadfully wrong for I feel a deep burning pain in my side
It's getting harder to stay in the saddle.
I'm getting weary, unable to ride.

But my love for Felina is strong and I rise where I've fallen;
Though I am weary, I can't stop to rest.
I see the white puff of smoke from the rifle,
I feel the bullet go deep in my chest.

From out of nowhere, Felina has found me,
Kissing my cheek as she kneels by my side.
Cradled by two loving arms that I'll die for,
One little kiss and Felina good-bye.

Wednesday, August 30

GSOTD: Estimated Prophet


"Estimated Prophet" by GRATEFUL DEAD

My time coming, any day, dont worry about me, no
Been so long I felt this way, Im in no hurry, no
Rainbows and down that highway where ocean breezes blow
My time coming, voices saying they tell me where to go.

Dont worry about me, nah nah nah, dont worry about me, no
And Im in no hurry, nah nah nah, I know where to go.

California, preaching on the burning shore
California, Ill be knocking on the golden door
Like an angel, standing in a shaft of light
Rising up to paradise, I know Im gonna shine.

My time coming, any day, dont worry about me, no
Its gonna be just like they say, them voices tell me so
Seems so long I felt this way and time sure passin slow
Still I know I lead the way, they tell me where I go.

Dont worry about me, no no no, dont worry about me, no
And Im in no hurry, no no no, I know where to go.

California, a prophet on the burning shore
California, Ill be knocking on the golden door
Like an angel, standing in a shaft of light
Rising up to paradise, I know Im gonna shine.

Youve all been asleep, you would not believe me
Them voices tellin me, you will soon receive me
Standin on the beach, the sea will part before me
Fire wheel burning in the air!

You will follow me and we will ride to glory, way up, the middle of
The air!

And Ill call down thunder and speak the same and my work fills the
Sky with flame
And might and glory gonna be my name and men gonna light my way.

My time coming, any day, dont worry about me, no
Its gonna be just like they say, them voices tell me so
Seems so long I felt this way and time sure passin slow
My time coming, any day, dont worry about me, no

Dont worry about me, no no no, dont worry about me, no
And Im in no hurry, no no no, dont worry about me, no

Tuesday, August 29

XTC Set to Release Nine - Disc Box of Rarities

NEW YORK (Billboard) - XTC guitarist Andy Partridge recently combed his vaults and discovered an exorbitant amount of rarities and outtakes recorded by the defunct English art-rock combo, resulting in a nine-disc boxed set that will come out on October 16.

``The Fuzzy Warbles Collectors Album'' features alternate versions of many XTC favorites, unreleased tracks and also unfinished material that Partridge revisited and completed for this release.

``Working on this stuff took many years,'' Partridge told Billboard.com. ``I just kept writing -- who knows what's going to fall out? It was recorded in spare bedrooms, the kitchen, the attic and of course my now infamous garden shed. Pop songs, radio jingles, film and TV music, or just plain old goofing about.''

Partridge rediscovered many forgotten tracks in the process. ``'I Don't Want To Be Here' for one,'' he said. ``Lots of folks love this song but XTC was pretty democratic, so if someone didn't go for a tune, it got binned.

'Everything' was another. One of the most touching lyrics I ever wrote -- in the toilet. 'The Bland Leading the Bland' -- so proud of this autobiographical rallying call to end that boring donut mentality. You can kind of see why I just didn't want these songs collecting dust and going unheard. We threw away better material than most bands made a career out of.''

Among his other favorites: ``Wonder Annual'' (''I always thought XTC should have recorded this surprisingly structured psychedelic slice''), ``End of the Pier'' (''It would have made a great out-of-season seaside companion piece to 'Seagulls Screaming Kiss Her Kiss Her''') and ``2 Rainbeau Melt'' (''Some of my favorite-ever lyrics matched to a trippy improvised soundscape. It
arrived too late for the 'Wasp Star' album'').

Partridge also helped assemble the packaging, which he modeled after a child's stamp album. ``How better to represent a large and diverse set of home recordings than to depict them as a series of imaginary stamps?,'' he said.

Partridge has a number of other projects in the works, the first of which will be ``a double-disc set of purely improvised music called 'Monstrance.' My partners in one-take, overdub-free, unrehearsed crime are Barry Andrews -- ex-XTC keys man from way back -- and (drummer) Martyn Barker. Let's face it, nothing short of capital punishment is going to stop me making music.''

Reuters/Billboard

The 50 albums that changed music

Click on the title to read this story.

Merry Pranksters had right idea: Take the bus

By: Sherri L. Shaulis

Tuesday, August 29, 2006 10:00 AM PDT

The trials and tribulations of the Merry Pranksters are wonderfully chronicled in Tom Wolfe's book "The Electric Kool-Aid Acid Test." American novelist Ken Kesey and his cohorts are remembered chiefly for traveling across the country in the psychedelic bus known as "Further."

Think what you will of the group - hippies who preached love and drugs and the music of bands like The Grateful Dead - you gotta admit they had the right idea. Each time I'm struck in traffic - whether it's in Roseville, Lincoln, Sacramento or San Francisco - I can't help but think, "I shoulda taken the bus."

Like most people I know, though, I'm more likely to be found stuck behind the wheel of my car instead of catching up on some reading while someone else chauffeurs me around in air-conditioned comfort.

Press-Tribune reporter Paul Cambra recently spent a day seeing the sites and hitting the outermost corners of Roseville aboard several buses operated by Roseville Transit. I wasn't surprised to hear him say most of the buses ran on time; nor was I surprised about all the attractions in Roseville he was able to spot during his travels.

Check out a map of Roseville Transit sometime and you'll see they go everywhere. Want to catch a movie? The buses go there. Ready for some shopping? Buses stop not only at the Galleria, but also at most major shopping centers in the city. Need to catch a ride to Sacramento? It's possible on Roseville's public transportation system.

What did surprise me about Cambra's trip was the lack of riders. Sure, gas prices have dropped in recent weeks, but not that much. And when you think it only costs less than $3 to ride all day - and it's free on Spare the Air Days - one can't help but think there's no excuse not to take the bus.

In several major cities across the country lots of people don't even own cars. My best friend lives in New York City and gave up her own vehicle more than 10 years ago. The subway system suits her just fine.

When I lived in Dallas there were many weekends I would take buses and trains for the 30-mile trip to the Fort Worth Stockyards National Historic District. Friends in Washington, D.C., complain about the Metro system, but admit it's better than trying to drive around and find parking in our nation's capital.

So why aren't people in Roseville riding more?

I can't imagine it's the cost that's keeping people off the buses. I also can't imagine it's the lack of coverage. I'll admit some people who rely on public transportation have told me there are occasions where it takes them quite a bit of time to get from one point to another because some bus stops only have vehicles stopping every hour.

OK, I'll grant you that one. But I know there are times when I've been stuck in traffic and have to admit it would have taken me less time to take a few buses.

And the beauty of public transit is when more people use it, officials tend to upgrade service on a faster timetable.

So take a day and take a bus. Sing along to the Dead's "Casey Jones" if you want. And look for me on occasion. I'll be the one sitting there reading "The Electric Kool-Aid Acid Test" while someone else drives.

- Sherri L. Shaulis is the editor of

The Press-Tribune. She can be reached at

pteditor@goldcountrymedia.com.

Arctic Monkeys play main stage at Carling Weekend: Reading Festival

It's the Sheffield band's biggest ever UK gig

Arctic Monkeys have played the main stage at the Carling Weekend: Reading Festival tonight (August 26).The performance came exactly a year after the band packed out the Carling Tent on the Saturday afternoon at 2005's bash, and was the group's biggest home performance so far.Overwhelmed by the size of the occasion, frontman Alex Turner stopped second song 'Still Take You Home' midway through and observed "There's lots of people, lets see them", as the lights were turned-up. Reflecting on the 12 months that has seen the band go from new band, to major festival draw, Turner then asked the crowd "Did anyone see us last year at Reading?" Before adding after the crowd's large cheer, "Honestly?" Arctic Monkeys played:

'I Bet You Look Good On The Dancefloor'
'Still Take You Home'
'You Probably Couldn't See For The Lights But You Were Looking Straight At Me'
'Leave Before The Lights Come On'
'Cigarette Smoker Fiona'
'Perhaps Vampires Is A Bit Strong But...'
'Dancing Shoes'
'The View From The Afternoon'
'Bigger Boys And Stolen Sweethearts'
'From The Ritz To The Rubble'
'Fake Tales Of San Francisco'
'Mardy Bum'
'When The Sun Goes Down'
'A Certain Romance'

Dave Matthews Band brings out fans at Hollywood Bowl

BY ROB LOWMAN, Entertainment Editor

"If you can't have fun at a Dave Matthews concert, where can you have fun?" asked pretty dark-haired Rachel Musquiz rhetorically.

It was her birthday. She was turning 23 and she was ready to party along with 17,000 others Monday night at the Hollywood Bowl.

Never underestimate the power of wanting to have a good time, and Matthews and his band delivered the party favors to a crowd that ranged in their 20s to there 50s, with some looking like Ivy Leaguers and others more at home at a Hell's Angels convention. One guy a couple of rows up from me didn't take off his sunglasses all night.

"Down for whatever" read one T-shirt, which summed up the mood of the audience who were hoisting a few and getting ready for the main course as the jam band Robert Randolph and the Family Band got the night started with a funky groove.

Now there's a lot of music naysayers who look down on Matthews' popularity (he made $57 million in touring receipts last year and was ninth on Rolling Stone's annual list of the richest rock stars) or who make snide comments about his fans (Daveheads, or whatever, as if no one had ever smoked weed before at a concert). Most of the time they are instead championing the latest fad band from the British Isles or some emo type who are as musically interesting as Paris Hilton. So what does that tell you?

Whatever his drawbacks are (and those can be argued), Matthews definitely has the musical chops, knows how to entertain and, most importantly for his fans, has fun.

Matthews along with his six piece band kicked off the evening with the moderate rocker "The Best of What's Around," and through the night mixed old favorites with a few new numbers. What was evident as the band dug into "Dancing Nancies," "What Would You Say" and "Where Are You Going" is how they have loosened up over the years. The songs are freer, the band is looser, the jams more inventive and interesting.

The hit "Crash" began as a sing-along as the crowd joined in, but Matthews soon took it in a different direction that ended on an emotional note. "Warehouse" took a Latin flavor with LeRoi Moore's and Rashawn Ross' sultry playing.

On the extended jam of "Dancing Nancies," the band's mainstays - violinist Boyd Tinsley and drummer Carter Beauford - shined as they drove home the funky rhythm.

When Matthews - whose last release, "Stand Up," is more than a year old - played his new songs the audience bopped along politely - taking cell phone pictures, making out, drinking, watching the light show and waiting for the next favorite.

But as Ms. Musquiz noted, "It's all Dave," and that's OK.

Rob Lowman, (818) 713-3687 robert.lowman@dailynews.com

DOHERTY BACK ON TOP AS BABYSHAMBLES SIGN RECORD DEAL

Rocker PETE DOHERTY has some good news as he battles his drug addictions in rehab - his band BABYSHAMBLES have reportedly landed a lucrative recording contract. Doherty and his bandmates have allegedly signed a multi-album deal with Parlophone worth $1.8 million (GBP1 million). An insider tells British newspaper the Daily Mirror, "He's over the moon because THE BEATLES were with Parlophone. That means a lot to him. "The band can't wait to get their new music on the shelves. It's a very exciting time because a lot of record labels were after them, but in the end they got the best deal, money-wise and album-wise, with Parlophone."

29/08/2006 07:46

The A - Z of Rock & Roll Sex Scandals

What beloved band enjoyed molesting their male roadies? What other pop stars prefer the company of children? Find out all this and more in our comprehensive guide to the seamiest moments in music history.

By Jane Bussman, Dale Hrabi, Steve Kandell, Ben Mitchell, Alexis Petridis and Brian Raftery

Blender.com,

Anderson, Pamela - Model and former Baywatch star, sometime consort of Kid Rock, Poison’s Bret Michaels, Michael Bolton, Fred Durst. Most famous within rock circles for co-starring in 1996 sex tape made with then-husband and father of her children Tommy Lee (see also Huge Genitalia) in which he masturbates over his wife’s Zeppelin-like breasts and honks the horn of a speedboat using his penis.

Asphyxiophilia - Practice of heightening sexual pleasure by applied self-suffocation. INXS vocalist Michael Hutchence’s 1997 death in an Australian hotel room (official cause: suicide) is widely believed to have been a kinky asphyxiophilia misadventure. Hutchence’s partner, Paula Yates, initially disputed the rumors about Hutchence’s death—“he was not having a wank on a door”—but then changed her mind; he was having a wank on a door, after all.

Beverly Hills Police Department - Upscale Los Angeles law-enforcement bureau. Responsible for the 1998 arrest of George Michael for “engaging in a lewd act” in a public restroom. Michael put a romantic sheen on events, saying a “slightly inebriated pop star on a lovely summer’s day” was coaxed by a “well over six foot, fairly attractive” stranger. Then they looked at each other’s penises.

Bisexuality - Attraction or behavior directed toward more than one sex. David Bowie met ex-wife Angie when they were both “fucking the same bloke” (record executive Calvin Mark Lee). Angie later lectured on bisexuality at posh English private school Eton. Also doubling their chances: Madonna (see also Fake Lesbians; Vanilla Ice), Michael Stipe and Elton John, who explained, “People should be very free with sex. They should draw the line at goats.”

Crack-Smoking - Ingestion of potent crystalline form of cocaine, the drug of choice of funk singer Rick James. In 1991, 24-year-old Frances Alley claimed that an intoxicated James ordered her to strip naked, tied her to a chair and burned her with a hot pipe, after which she was hit in the face with a handgun and forced to perform cunnilingus upon James’s girlfriend. Alley went to the police and—following a separate, drug-fueled assault on another woman—James was put on trial. Charges included false imprisonment, torture, forcible oral copulation and aggravated mayhem.

Dildo - Object shaped like an erect penis used for sexual stimulation. For fans unable to experience the real thing, Duran Duran guitarist Warren Cuccurullo (see also Web Site, Personal) marketed an 8” dildo, the Rock Rod, modeled on his own genitalia, in 2002. In general, such sex toys are not recommended for use outside the bedroom: In 1999 two members of German industrial metal outfit Rammstein were arrested for lewd and lascivious behavior during a concert in Worcester, Massachusetts, for simulating sodomy with a large dildo that emitted milk.

Durst, Fred - Fleshy Limp Bizkit mouthpiece. Notorious for chronicling romantic liaisons via overwrought blog entries and, more graphically, a widely circulated rear-entry nookie video (see also X-Rated Video) co-starring an unidentified model and Fred’s ample stomach. The three-minute clip—allegedly taken from Durst’s computer while it was being repaired—is the latest in a career-long obsession with proving to the public that he has, despite common sense indicating otherwise, had sex with a woman.

Explicit Album Art - Commonplace controversy-starter among conservatives and Wal-Mart executives; banned or altered covers have depicted: naked underage girls (Blind Faith, Blind Faith; anything by Bow Wow Wow); visible nipples (Jane’s Addiction, Nothing’s Shocking and Ritual de lo Habitual); trace amounts of pubic hair (The Black Crowes, Amorica); and, worst of all, wildly unkempt pubic hair (John Lennon and Yoko Ono, Two Virgins).

Fake Lesbians - Perpetrators of pseudo-sapphic acts, often employed as pop publicity stunt. Especially ingenious were entirely heterosexual teenage Russian duo t.A.T.u., who promoted their 2002 album, 200 km/h in the Wrong Lane, with a doe-eyed make-out session on The Tonight Show—cut by network censors—and massed girl-on-girl action at the 2003 MTV Movie Awards. Madonna (see also Bisexuality; Vanilla Ice)—after a same-sex dalliance with Naomi Campbell in her 1992 book, Sex—proved that middle age is no bar to publicity-friendly sexual experimentation by kissing both Britney Spears and Christina Aguilera at 2003’s MTV Video Music Awards.

Frankie Goes to Hollywood - ’80s British dance group whose enthusiasm for S&M outfits, suggestive lyrics and wanton homoeroticism was dimly viewed by the regulators of British broadcasting. Enjoyed short-lived but nonetheless scandalous career, thanks to wise PR and songs like “Rage Hard” and “Relax”—which featured the inquisitive come-on “When you wanna come?” The shocked BBC banned the “Relax” single in the U.K., but the kinky imagery of the video helped it sell more than a million copies.

Girls Gone Wild - Salacious but highly successful home-video series. Employed hip-hop star and herb connoisseur Snoop Dogg to host 2002’s Girls Gone Wild: Doggy Style, a further installment of footage of drunk girls flashing breasts. In 2003, two women filed suit against Snoop, claiming they weren’t aware they were being filmed; the case was settled out of court. Snoop—who in 2002 won two Adult Video News awards for his Hustler-distributed porn movie Doggystyle—has distanced himself from GGW, claiming the tapes hurt his attempts at adopting a more family-friendly image.

Go-Go’s, The - Bubbly girl group, formed in Los Angeles, 1978. Their fresh all-American image was undermined by the post-gig pranks captured in a grainy, heavily- circulated underground video. The tape shows the intoxicated band harassing one of their drunken male roadies, spying on him as he masturbates in a bathroom stall, covering his ass with shaving cream and eventually corking him with a dildo. None of the women appear naked in the hour-long video—but lead singer Belinda Carlisle subsequently posed for Playboy.

Huge Genitalia - Generous endowment that possibly explains much about certain stars: Q-Tip’s lyrical swagger, the self-confidence behind Huey Lewis’s assertion that it was hip to be square, etc. Undisputed cock-rock king remains Iggy Pop (see also Public Indecency), due to willingness to publicly display his enormous good fortune. Stooges gigs were enlivened by unscheduled appearance of Pop member: “He put his dick on the speaker,” remembered one witness. “It was just vibrating around.”

Inflatable Penis - Outsized stage prop typically used to make a statement about the performers’ antisocial credentials and/or relaxed sexual values. Pioneered by the Rolling Stones in 1975, the group’s 20-foot faux genital organ would be ridden by vocalist Mick Jagger during performances of groupie anthem, “Star Star,” often despite prior warnings from law-enforcement officers. Similar device also employed by the Beastie Boys on their 1987 Licensed to Ill tour—only five feet longer and with the addition of a motor.

Jesus Juice - Quasi-religious alias given to white wine by 46-year-old King of Pop and amateur sommelier Michael Jackson; red wine correspondingly known as “Jesus’s Blood.” Sipping both from cans of soda, Jackson allegedly plied a 13-year-old boy and his brother with the “holy” drink—along with antihistamines—before making them watch pornography. A former associate of Jackson’s claims the Juice once caused Jackson to pass out on the floor of a plane during a flight to Germany.

Judas Priest - 1970s “Hellbent for Leather” British metal band whose drummer, 55-year-old David Holland, was sent to prison in 2004 for the attempted rape of a learning-disabled 17-year-old boy. Holland had been giving the boy drum lessons and, according to court papers, had also been providing him with booze and porn in order to win his trust. Holland did 10 years in Priest; he’s been sentenced to eight years in prison.

Kelly, R. - R&B superstar known for an alleged compulsion to seduce and urinate on underage girls, blurrily documented in a 27-minute x-rated video that surfaced in 2002. Charged with 21 counts of child pornography, Kelly quickly released whiny single “Heaven, I Need a Hug” and, with a trial pending, still insists he’s not the urinator in question. Comic Chris Rock has expressed doubts: “Motherfucker, we know what you look like. That’s you, OK?. . . [Your] damn Soul Train award [is] right next to the bed!”

Lil’ Kim - X-rated rapper, né Kimberly Denise Jones. The ex and protégé of Notorious B.I.G. pioneered public shirtlessness—usually wearing what appear to be yarmulkes on her nipples. Despite postulating fellatio as morally superior to shopping, surprisingly claims to take her inspiration from Diana Ross, saying, “She touched me, in a way, when I was a young girl.” Ross picked up where she let off at the 1999 MTV Video Music Awards, squeezing Kim’s breast. One Web site boasts it has pictures of Lil’ Kim fully clothed.

Love Children - Illegitimate children with paternity claims, often afflicting rock stars with fuzzy memories and dusty wallets. Rolling Stones’ Mick Jagger finally admitted being the biological father of baby Lucas—after his mother arranged a DNA test. Ted Nugent—“Father of the Year at children’s school” according to tednugent.com—doesn’t like paying for his love child. The real downside is their ageing effect: young fans of Bush’s Gavin Rossdale, 38—father to a 15-year-old—realized he was old enough, literally, to be their dad.

Mann Act - Federal statute forbidding the interstate transportation of women for immoral purposes. Initiated Chuck Berry’s career in scandal, when, in 1960, he was sentenced to five years in prison for taking a 14-year-old girl from Arizona to Missouri to work at his Bandstand club. In 1994, Berry settled out of court over allegations that he had secretly placed cameras in the ladies’ restroom cublicles of his Berry Park property later claimed staff there had sold pictures to a porn mag of women playing with his Ding-a-Ling.

“Me So Horny” - 1989 rap record—named for sample of prostitute from Stanley Kubrick’s film Full Metal Jacket—by Florida’s 2Live Crew, whose As Nasty As They Wanna Be CD became the first album to be legally ruled obscene in the U.S. Later bids for credibility—a line of Homeboy Condoms and AIDS-consciousness release “Who’s Fuckin’ Who”—undermined by frontman Luther Campbell’s claim to have enjoyed oral sex with fans onstage, and the Clinton/Lewinsky-themed makeover “Bill So Horny: The Presidential Remix.”

Mystikal - Born Michael Tyler, MC (“Shake Ya Ass”) and Operation Desert Storm vet convicted for sexual battery in 2004. An image-conscious sexual assailant, Tyler blackmailed his hairstylist into submitting to anal and oral sex with him and two others, but not until she had braided his hair. Facing life in prison on a charge of aggravated rape, Tyler pleaded guilty in exchange for a reduced sentence.

Neil, Vince - Chubby Mötley Crüe frontman in 2004 sentenced to a 30-day suspended jail term, $1,000 fine and anger-management training after attempting to strangle prostitute TriXXie Blue.

Nipples - Small conical projections on surface of mammary gland; staple of rock outrage. The heavily decorated nipple of Janet Jackson, exposed by Justin Timberlake during 2004’s Super Bowl halftime show, led to the FCC’s fining CBS $500,000. 2004 also saw Courtney Love apparently start to show hers to the world, one person at a time—beginning with a nonplussed David Letterman, then outside a Manhattan branch of Wendy’s, where she invited a 23-year-old man to suck one of them.

One Night In Paris - Sex tape featuring knickerless heiress Paris Hilton and then-boyfriend Rick Salomon, filmed in 1999. A three-minute version appeared online, which Salomon said was bootlegged; in 2004 a Salomon-sanctioned 45 minutes became the year’s best-selling porn video, snaring him a reported $7 million. Salomon claimed he had to release it to scotch allegations that Paris was drugged and assaulted. Paris was subsequently awarded a percentage of the profits—and her condition led Conan O’Brien to describe a later hotel-room robbery as “another man who got in and out without her noticing.”

Plaster Caster, Cynthia - Socially awkward Chicago art student/groupie; achieved notoriety in the late 1960s by casting rock stars’ erections in plaster—including Jimi Hendrix ’s menacing phallus (6 1/4 inches in circumference)—comically exploiting male narcissism in a quest for trophy sex. Initially a gimmick to distinguish herself among groupies, her increasingly professional art led to media rumors that she could only orgasm while casting, and to the 1977 Kiss song “Plaster Caster”—written by Gene Simmons, who has yet to merit a molding.

Public Indecency - Criminal misdemeanor that typically involves the whipping out of genitals onstage to express contempt for fans’ blind idolatry (Pop, Iggy) or to solidify a reputation as prankish libertines (Chili Peppers, Red Hot). First popularized by the Doors’ Jim Morrison at a March 1, 1968, Miami concert, during which he blathered drunkenly, screeched “There are no rules!” and allegedly aired his penis. Public outcry (including a Rally for Decency attended by 30,000 shaken teens) led to Morrison’s arrest and conviction, after which he got pudgy, wrote bad poetry and died at 27 in a Paris bathtub.

Queen - British band fronted by bisexual Freddie Mercury, perhaps the most libidinous man in the history of recorded sound. Launch party for 1978 album Jazz displayed Mercury’s trademark subtle approach: naked hermaphrodite dwarves serving cocaine from trays strapped to their heads, transsexual strippers, naked dancers in bamboo cages, nude models wrestling in baths filled with raw liver and Samoan women smoking cigarettes with their genitals.

Rolling Stones - Rock & roll band, formed in London, 1962. Viewed as deviant ever since guitarist Keith Richards’s country home, Redlands, was raided by police in 1967 and reports—since dismissed as apocryphal—circulated that singer Mick Jagger had been caught consuming a chocolate bar from between the legs of then-girlfriend Marianne Faithfull. View reinforced by 1972’s sleazy unreleased tour movie, Cocksucker Blues. Pronounced “sinful” by a Tallahassee preacher in 1975, the group has since caused disgust by using bondage-themed images of bruised young ladies to promote the album Black and Blue (1976), been suspected of carnal impropriety with Canada’s first lady, Margaret Trudeau (1977), and raised eyebrows when 52-year-old bassist Bill Wyman married 19-year-old Mandy Smith in 1989, six years after beginning their relationship (see also Underage Girls). Recent misbehavior has been restricted to Jagger’s love children and “love rat” promiscuity.

Shakur, Tupac - Murdered rapper and renowned “player,” Shakur was made to submit to HIV tests before Poetic Justice co-star Janet Jackson would kiss him. Imprisoned in 1995 for felony sexual assault in controversial gang-rape case; he told Mickey Rourke he had been set up by an “FBI snitch” whom Mike Tyson had warned him about from prison. While jailed, Shakur sent enough racy poems to a female pen pal to form her book Inside a Thug’s Heart. Even two-timed behind bars, marrying Keisha Morris while still imprisoned.

Simmons, Gene - Born Chaim Witz (Israel, 1949), Yeshiva-educated rocker noted for elaborate makeup. Claims to have bedded 4,600 women, an allegation he backs with as-yet-unseen Polaroid inventory. His tongue is so long he can apparently perform oral sex “from across the room.” Sells red latex “Tongue Lubricated” Kiss Kondoms featuring Gene Simmons; now everyone can have sex with Gene Simmons for $4.95. Asked what he looks for in a woman, replied “me.” (See also Plaster Caster, Cynthia.)

Smell the Glove - Fictitious metal band Spinal Tap’s 14th album, detailed in Christopher Guest’s 1984 mockumentary, This Is Spinal Tap. Also called The Black Album after record company blacked out original artwork of a greased, naked, dog-collar-wearing woman on all fours being ordered to sniff a man’s black glove. The band objected to charges of sexism, saying they originally wanted her to be depicted smelling a penis.

Teabagging - Traditionally the act of lowering the testicles into another person’s mouth, either as a non-penetrative sexual act or a prank played upon an unconscious or sleeping victim. Recently the definition has broadened to mean bringing the crotch into contact with any part of someone’s head. On two separate occasions Marilyn Manson has appeared in court for making security guards at his concerts unwitting participants in his theatrical teabagging activities.

Trevi, Gloria - Provocative Latin American singer known as the Mexican Madonna or La Atrevida (“The Daring One”). Trevi sold five million albums in the ’90s, but in 1998, facing startling allegations of using her status to procure young girls as sex slaves for her manager, boyfriend Sergio Andrade, Trevi fled Mexico. Arrested in Brazil and imprisoned until her name was cleared due to insufficient evidence in 2004.

Underage Girls - Sexual partners beneath the legal age of consent; a mainstay in the adolescent-fantasy world of the professional musician. After Jerry Lee Lewis was booed offstage during his 1958 U.K. tour due to outrage at his marriage to his 13-year-old second cousin, such relationships have been conducted with discretion. Elvis Presley and Aerosmith’s Steven Tyler have all since enjoyed similar dalliances, a sex crime applauded within the entertainment industry: “If I played guitar I’d be Jimmy Page/The girlies I like are underage,” sang the Beastie Boys on “The New Style.” (See also: Kelly, R.; Rolling Stones, The; Zeppelin, Led.)

Vanilla Ice - Also-ran, lip-pouting rapper-dancer-actor who managed to feel up Madonna (see also Fake Lesbians), as evidenced in her 1992 book, Sex. In a series of black-and-white photos, a topless Ice (né Robert Van Winkle) gropes, grinds and scowls semi-thuggishly with an eventually entirely naked Ciccone. He later coyly alluded to a sex tape featuring the two of them, though said video remains undiscovered.

Web Site, Personal - Internet forum usually used by bands for disseminating information on forthcoming albums, appearances and tours. In a mass virtual bonding exercise, former Jane’s Addiction guitarist Dave Navarro posted images of himself manhandling his penis, asking, “once you’ve seen a person masturbating, how much deeper can you go?” Equally libidinous guitarist Warren Cuccurullo (see also Dildo) exhibited explicit videos of himself in the “members only” area of his Web site, though these were removed in 2003, shortly after he became engaged.

X-Rated Videos - Homemade sex-tape footage, often featuring rock star as both director and lead actor (see also Durst, Fred; One Night in Paris; Kelly, R.). Recent notable examples include Usher, whose rumored tape features him not only engaged in a threesome but engaged in a threesome while listening to music by a future girlfriend (“Waterfalls” by TLC). Poor bootlegged footage can make sex tapes an unedifying experience for viewers—but still better than “official” rock-related X-rated videos, e.g. Backstage Sluts 2, which features porn stars bumping and grinding while Limp Bizkit’s Fred Durst and Wes Borland leer in the background.

You’ll Never Make Love in This Town Again - Best-selling tawdry memoir of four Los Angeles prostitutes going by the names of Robin, Liza, Linda and Tiffany, published in 1996. Celebrity “johns” mentioned include Billy Idol, George Harrison and the Eagles—Don Henley being singled out due to his fondness for multiple partners—although this disclosure came as a surprise only to those who assumed that successful rock musicians restrict sexual relations to intercourse with their spouse or long-term girlfriend.

Zeppelin, Led - British rock quartet, formed in London, 1968. Creators of heavy metal, devil-worship, guitar solos with violin bows and the many legends of backstage sexual excess chronicled in Stephen Davis’s salty 1985 bio, Hammer of the Gods. Among the more infamous transgressions: then-28-year-old guitarist Jimmy Page lengthy affair with a 14-year-old groupie (see also Underage Girls) and a 1968 incident in which a dead shark was stuffed into a female fan’s vagina.

GSOTD: Cassidy (Live)



"Cassidy" by GRATEFUL DEAD

I have seen where the wolf has slept by the silver stream.
I can tell by the mark he left, you were in his dream.
Ah child of countless trees, ah child of boundless seas.

What you are, and what you're meant to be
Speaks his name, though you were born to me,
Born to me, Cassidy.

Lost now on the country miles in his Cadillac.
I can tell by the way you smile, he is rolling back.
Come wash the nighttime clean, come grow the scorched ground green.

Blow the horn, and tap the tambourine.
Close the gap of the dark years in between
You and me, Cassidy.

Quick beats in an icy heart, catch colt draws a coffin cart,
There he goes and now here she starts, hear her cry.

Flight of the seabirds
Scattered like lost words,
Wield to the storm and fly.
Fare thee well now, let your life proceed by it's own design.
Nothing to tell now, let the words be yours, I'm done with mine.
Fare thee well now, let your life proceed by it's own design.
Nothing to tell now, let the words be yours, I'm done with mine.

JOTD II: Religious Nuts

There were four country churches in a small Texas town: The Presbyterian Church, the Baptist Church, the Methodist Church and the Catholic Church. Each church was overrun with pesky squirrels.

One day, the Presbyterian Church called a meeting to decide what to do about the squirrels. After much prayer and consideration they determined that the squirrels were predestined to be there and they shouldn't interfere with God's divine will.

In the Baptist Church the squirrels had taken up habitation in the baptistery. The deacons met and decided to put a cover on the baptistery and drown the squirrels in it. The squirrels escaped somehow and there were twice as many there the next week.

The Methodist Church got together and decided that they were not in a position to harm any of God's creation. So, they humanely trapped the Squirrels and set them free a few miles outside of town. Three days later, the squirrels were back. But -- The Catholic Church came up with the best and most effective solution.

They baptized the squirrels and registered them as members of the church. Now they only see them on Christmas and Easter

JOTD: Grandpa

An 80-year old man goes to the doctor for a checkup. The doctor is amazed at what good shape the guy is in and asks, "How do you stay in such great physical condition?"

I'm a golfer," says the old guy, "and that's why I'm in such good shape. I'm up well before daylight and out golfing up and down the fairways."

"Well," says the doctor, "I'm sure that helps, but there's got to be more to it. How old was your dad when he died?"

"Who said my dad's dead?"

The doctor is amazed. "You mean you're 80 years old and your dad's still alive. How old is he?"

"He's 100 years old," says the old golfer. "In fact, he golfed with me this morning, and that's why he's still alive. He's a golfer too."

"Well," the doctor says, "that's great, but I'm sure there's more to it than that. How about your dad's dad? How old was he when he died?"

"Who said my grandpa's dead?"

Stunned, the doctor asks, "You mean you're 80 years old and your grandfather's still living! Incredible, how old is he?"

"He's 118 years old," says the old golfer.

The doctor is getting frustrated at this point, "So, I guess he went golfing with you this morning too?"

"No. Grandpa couldn't go this morning because he's sort of getting married today."

At this point the doctor is close to losing it. "Getting married? Why would a 118 year-old guy want to get married?"

"Who said he wanted to?"

Monday, August 28

ATM: Ring Two

I watched this movie this afternoon. Where's the scare factor? Didn't really offer much - I'd much rather have a good old fashion zombie flick.

It's the way Naomi Watts spits out the line, "I'm not your fucking mommy", that got me thinking: Maybe The Ring Two isn't a horror flick at all. Maybe it's a subtext-loaded thriller about child abuse. You can make a case for Rosemary's Baby as a lapsed Catholic fable about a bride who marries outside the faith and thinks she's giving birth to Satan. You can argue that The Exorcist is the tale of a girl possessed, not by a demon, but by her unexpressed hatred for her neglectful movie star mother.

So lets deconstruct The Ring Two: Watts is back as Rachel Keller, single mom to Aidan (David Dorfman), a sullen weirdo (with the eyes of Haley Joel Osment) who refuses to call her mommy. Rachel keeps a tight smile going, but you can tell she's not pleased about leaving her cool job as a reporter in Seattle to move to Astoria, Oregon. She feels overqualified reporting for a local rag, despite its hottie editor (Simon Baker). But she needed to get Aidan away from that cursed videotape from the first Ring movie. That's the tape that looks like a Nine-Inch Nails video. You play it and you're dead in seven days after seeing skanky, stringy-haired Samara (Kelly Stables), the ghost girl whose adoptive mother drowned her in a well. So Rachel runs, and when the tape shows up again you knew it would she gets it in her head that Samara wants to possess Aidan. Rachel almost drowns him in a tub when he starts acting like Samara. When doctors intervene and see the bruises on his body, Rachel goes with her demon alibi. Then Aidan ever so sweetly calls her mommy. Ooo eee ooo.

At least the child-abuse theme bolstered when Sissy Spacek does a killer cameo as Samaras nut job birth mother who tried to kill her daughter to stop the dead from getting in gives you a provocative theme to chew on while the sequel goes about scare business as usual. The generic quality of the jolts is a surprise, considering that Hideo Nakatathe gifted Japanese director of the original Ringu in 1998 and its 1999 sequel has stepped in for The Ring director Gore Verbinski. It's Nakata's first Hollywood film, and you can feel the tension between his dark J-horror (the J is for Japanese) instincts and the pressure to protect a PG-13 franchise (Verbinski's Ring grossed a whopping $129 million) that favors suspense over splatter, gloss over grit. Formula is not something you associate with Nakata.

For starters, Ehren Kruger's script for The Ring Two not only veers from Ringu 2 but strains credulity at every turn. This is not to say that Nakata doesn't give you the hebbie-jeebies. Look out for hostile reindeer, a doctor (Elizabeth Perkins) with a needle, a corpse with a face twisted to resemble Edvard Munck's painting The Scream and that Medea moment in a bathtub.

Since avenging ghosts are part of the J-horror tradition, Nakata fares best showing Samara up to her old mischief. She keeps following Aidan around, popping up on his TV and in his dreams. Stables, an actress in her twenties, is quite a terror as the teen Samara. But even in mottled, blue-veined skin, courtesy of makeup wiz Rick Baker, and only one eye exposed behind long hair, Stables persuades us to see the lost child in the demon. Her performance deepens the complex relationship between Rachel and Aidan. Watts is dynamite, finding nuances in a role built without them. Her scenes with Dorfman give the film a needed psychological gravity. The rest is cliched horror gimmickry. Example: Aidan takes a digital photo of himself in a mirror. Checking the shot in the monitor, he sees Samara behind him. It's a still photo, but Samara is suddenly three-dimensional and moving. The chill you feel might have cut deeper if The Ring hadn't already pulled the same trick with a fly.

Nakata gets back up to speed for the finale in which Rachel faces her demons real and imagined in a well. Scream or not, you have to admire Nakata's skill at letting the dead run free while hinting that we may have more to fear from the living. With a braver step in that direction, this middling movie would ring more than box-office bells.


PETER TRAVERS

(Posted: Mar 17, 2005)

ATM: Garden State

I really liked this movie. It feels like many of the trips back home.

You get this certain confident and internal "click" when you're sure you really like a person; it could be a friend or a sex-partner or even a new dog. That "click" comes and you feel warm and cozy and happy. That "click" happens with movies too, and it happened twice during 'Garden State'.

Zach Braff? That goofy guy from Scrubs? Yeah, he is quite funny on that sitcom...What? He wrote and directed his own movie? What's he, like 22? And he's the star of a great new TV show who went out and worked to get a movie made? With probably the first "real" money he's ever earned? Hmph, I'm intrigued. How's the movie?

Garden State is a great movie, full of bizarre wit and winning moments, laden with excellent performances and even a few good-natured morals. It recalls the great "early" rom-coms of Woody Allen or Rob Reiner; it showcases Zach Braff and Natalie Portman as two entirely lovable personalities; it gives the fantastic Peter Sarsgaard and the wonderful Ian Holm a few choice scenes to steal. Garden State has a warm heart and an acerbic disposition. It's romantic and nostalgic and periodically quite weird.

Clearly I really enjoyed the movie.

Braff plays Andrew Largeman, an over-medicated and aimless L.A. actor/waiter who is summoned home to New Jersey when his mother dies. Estranged from his family and a fond, distant memory to his neighborhood pals, Andrew slogs back to the Garden State and slowly starts mending some fences.

Time spent in Jersey is time spent away from his constant medication, and this allows Andrew to thaw out a little. Unable to cry at his mother's funeral, he begins to wonder if all those 'mood suppressants' are all that necessary. Toss in a reunion with several old friends (most of whom still party like they're 19 years old) and an endearingly tentative friendship/romance with the doe-eyed Samantha (as played by the doe-eyed Natalie Portman, trying on her best "Annie Hall" impression and doing a damn fine job if it, too) and it's not too long before Andy starts feeling a little bit like his "old self". If only he could remember what his "old self" really felt like.

Garden State is about those frustrating relatives and weird, old friends. It's about remembering what you were like before you "got busy" and being able to break down years of discomfort or estrangement. It's sweet and old-fashioned and low-key and more than a little comfortable; Braff's debut is a big, warm bathrobe of a movie. And I mean that as a sincere and appreciative compliment.

(But don't quit Scrubs, man! It's practically the only sitcom around that actually, y'know, makes with the laughs.)

'Garden State' is the sort of movie in which one of the characters admits to having epilepsy, yet it never comes up as part of the 'telegraphed plot twist' at the end. It's just a realistic little character trait; one that clearly indicates the difference between something written by committee - and something written from the heart.

http://efilmcritic.com

Phil Lesh & Friends: "Live At The Warfield" DVD

Monday, 28 August 2006

As bassist for one of rock’s hardest-touring and historic bands, PHIL LESH has performed over 2500 concerts, both with the GRATEFUL DEAD and leader of his own band Phil Lesh & Friends. Now, Lesh’s fans will have the chance to experience his mesmerizing live performances with Phil Lesh & Friends: Live At The Warfield, a two-CD set (with bonus DVD) and two-DVD set being released October 31st by Image Entertainment on the Relix Records label. Over two nights at the venerable San Francisco venue in May 2006, Lesh and his Friends combined a strong jazz background with a touch of blues, a pinch of soul, a good helping of groove and just the right amount of jamming to keep the faithful dancing well into the early morning.

Joined by JOAN OSBORNE (lead vocals), JOHN SCOFIELD (guitar), LARRY CAMPBELL (guitar, pedal steel, fiddle, mandolin, vocals), GREG OSBY (saxophones), ROB BARRACO (keyboards, vocals) and JOHN MOLO (drums), Lesh led the group through an eclectic set of original compositions, DEAD favorites, select covers and intricate jam sessions. "The band was on fire both nights, and what we’re releasing is the absolute cream, right off the top,” says Lesh. “There is no duplication of material or performance between the DVD and the CD, so the audience should be able to enjoy almost all of the music we made on those nights. Rock on!"

Bonus material on the second DVD includes “The Art of Improvisation: Jazz and Rock,” where Lesh interviews bandmates Scofield and Osby, plus backstage rehearsal and an improv jam session. Look for these features on the bonus DVD that comes with the 2-CD set along with two extra tracks--“Passenger” (not on the DVD) and “All Along The Watchtower.”

After dropping out of college, Lesh was studying avant-garde classical and jazz music when he was asked by pal Jerry Garcia to pick up the bass and join his group The Warlocks, which morphed into the Grateful Dead in 1965. The Grateful Dead performed over 2300 shows over the next 40 years, until Garcia passed away in 1995. After the Grateful Dead, Lesh continued to perform in The Other Ones and the Dead (both consisting of Grateful Dead survivors) as well as the evolving Phil Lesh & Friends ensemble.

Since receiving a liver transplant in 1998, Lesh has been a staunch advocate for organ donation, and with his wife Jill runs the Unbroken Chain Foundation. Lesh is the author of Searching For The Sound: My Life With The Grateful Dead.

DVD
Uncle John's Band
Eyes of The World
St. Stephen
The Eleven
Caution (Do Not Stop On Tracks)
All Along the Watchtower
New Speedway Boogie
Unbroken Chain
Help On the Way
Slipknot!
Franklin's Tower

CD Track Listing CD#1
Shakedown Street
Mr. Charlie
Pride of Cucamonga
Cosmic Charley
Scarlet Begonias
They Love Each Other
Turn On Your Lovelight
Donor Rap

CD#2
The Wheel
Dark Star
Morning Dew
I Know You Rider
The Other One
Dark Star
The Other One
Box of Rain

-Ervin Colon

SYV: Bubble Toes (Live)




By JACK JOHNSON

SYV: Flake (Live)



By JACK JOHNSON

SYV: I Wanna Be A Lifeguard

Early MTV favorite with one of the best lines in music history "Summer blondes revealing tanlines - I'll make more moves than Allied Van Lines".



By BLOTTO

SYV: She's A Piece Of Work (Live)



By JOHN WESLEY HARDING

SYV: Humblee Bee (Live)



By JOHN WESLEY HARDING

GSOTD: Pretty Peggy O (6-26-94)



"Pretty Peggy O" as sung by GRATEFUL DEAD

I've been around this whole country
But I never yet found Fennario.

Well, as we marched down
As we marched down
Well, as we marched down to Fennario
Well, our captain fell in love
With a lady like a dove
Her name that she had was Pretty Peggy-O

Well, what will your mother say
What will your mother say
What will your mother say, Pretty Peggy-O
What will your mother say
To know you're going away
You're never, never, never coming back-io ?

Come a-running down your stairs
Come a-running down your stairs
Come a-running down your stairs, Pretty Peggy-O
Come a-running down your stairs
Comb back your hair
You're the prettiest darned girl I ever seen-io.

The lieutenant he has gone
The lieutenant he has gone
The lieutenant he has gone, Pretty Peggy-O
The lieutenant he has gone
Long gone
He's a-riding down in Texas with the rodeo.

Well, our captain he is dead
Our captain he is dead
Our captain he is dead, Pretty Peggy-O
Well, our captain he is dead
Died for a maid
He's buried somewheres in Louisiana-O.

DOHERTY AND BARAT REUNITE FOR CHARITY SINGLE

Former LIBERTINES bandmates PETE DOHERTY and CARL BARAT are on the verge of reuniting to form a new band, after being persuaded to record a charity single together. Estranged rockers Doherty and Barat, who now front BABYSHAMBLES and DIRTY PRETTY THINGS respectively, fell out when Doherty was fired from The Libertines for his ongoing drug addictions. However, British record label B-Unique has successfully asked the pair to record a cover of THE CLASH song JANIE JONES, alongside THE KOOKS star LUKE PRITCHARD, to raise money for late Clash frontman JOE STRUMMER's music charity Strummerville. And now label bosses hope the pair will reteam to record an album of new songs. An insider says, "B-Unique are determined to sign Pete and want Carl on board too. They met up with Carl at the Reading Festival (in England) to move things forward. "It will all be confirmed in the coming weeks."

28/08/2006 07:41

JOTD: The Most Gruesome Death

There was a long, long line of spirits at the gate waiting to get into heaven. Not all these spirits could fit into heaven, so the ones who died the worst death would be allowed in.

The first man in line started telling his story, ''Well, Peter, you see, I knew that my wife was cheating on me so I decided to come home early from work one day to catch them in action. I got home and searched all over but I couldn't find him. Then when I walked out onto the balcony, there he was dangling off the darn thing by his fingertips. So I ran and got a hammer then started beating him with it and he fell. Well, the fall didn't kill him, because he landed in a bush so I picked up the refrigerator and threw it on him. Although that killed him, the strain gave me a heart attack, and here I am.''

The next man came up and started his story. ''St. Peter, I always work out on my balcony on the 14th floor of my apartment building. I was on my bike one day and I fell off when it flipped. I sailed over the rail and I thought 'Please God spare my life' and he did. I caught on to a balcony below me. I was even happier when a man discovered me hanging there. But all of a sudden he started beating my hands with a hammer so I fell again. But the dear Lord saved me again when I landed in a bush. But I'm here now because the guy threw his refrigerator on top of me.''

It was now the third guy's turn to start his story. ''Well, Peter, just picture this. I'm hiding butt naked in this married chick's refrigerator.....'''

Sunday, August 27

Arctic Monkeys re-unite in Leeds

Andy Nicholson meets up with his old bandmates

Arctic Monkeys have re-united with former bassist Andy Nicholson at Carling Weekend: Leeds today (August 27).The Sheffield four-piece met up with their original bassist backstage, despite his recent sacking from the band.Drummer Matt Helders chatted with his fellow founding member plus a group of friends in the backstage bar as Arctic Monkeys took in the atmosphere ahead of their main stage appearence this evening.Later on he met with singer Alex Turner and in a nice twist he was seen shaking hands and chatting with new bassist Nick O'Malley. As previously reported on NME.COM, Nicholson left the band after he announced that he didn't want to play on this year's US tour and was replaced by Nick O'Malley.His absence was blamed on "fatigue" at the time but Turner later explained: "We sorta found ourselves in a situation where we wanted to move forward. "It weren't like us wanting to carry on like this as punishment for him wanting to opt out."Guitarist Jamie Cooke added: "Everyone might say we're wankers and we shit on him, but they don't know. We know, Andy knows and that's all that really matters."

GSOTD: Jack Straw (Live 1972)



"Jack Straw" by GRATEFUL DEAD


We can share the women, we can share the wine.
We can share what we got of yours 'cause we done shared all of mine.
Keep on rollin', just a mile to go;
Keep on rollin' my old buddy, you're movin' much too slow.

I just jumped the watchman, right outside the fence.
Took his rings, four bucks in change, ain't that Heaven sent?
Hurts my ears to listen, Shannon, burns my eyes to see;
Cut down a man in cold blood, Shannon, might as well been me.

We used to play for silver, now we play for life;
And one's for sport and one's for blood at the point of a knife.
And now the die is shaken, now the die must fall.
There ain't a winner in the game, he don't go home with all.
Not with all.

Leavin' Texas, fourth day of July,
Sun so hot, the clouds so low, the eagles filled the sky.
Catch the Detroit Lightnin' out of Sante Fe,
The Great Northern out of Cheyenne, from sea to shining sea.

Gotta go to Tulsa, first train we can ride.
Gotta settle one old score, one small point of pride.
There ain't a place a man can hide, Shannon will keep him from the sun
Ain't a bed can give us rest now, you keep us on the run.

Jack Straw from Wichita cut his buddy down,
And dug for him a shallow grave and laid his body down.
Half a mile from Tucson, by the morning light,
One man gone and another to go, my old buddy you're moving much too slow.

We can share the women, we can share the wine.

Dead Cover Art













JOTD: Damned If I Know

A kindergarten class had a homework assignment to find out about something exciting and relate it to the class the next day. When the time came to present what they'd found, the first little boy walked up to the front of the class made a small white dot on the blackboard and sat back down. Puzzled, the teacher asked him just what it was.

"It's a period,'' said the little boy.

"Well, I can see that,'' she said, ''but what is so exciting about a period?''

''Damned if I know,'' said the little boy, ''but this morning my sister was missing one, Daddy had a heart attack, Mommy fainted, and the man next door shot himself."

Saturday, August 26

Pete Doherty Lends His Support To Petrol Bombers

He hates the upper classes...

By: Scott Colothan on 8/26/2006

Pete Doherty has had a swipe at the upper classes, instead taking sides with petrol bombers.

The Babyshambles frontman says that politics is a very important issue to him, but he hates the ways of those from the upper reaches of society.

He tells the Metro: “I’ve got a fierce passion for politics but I can’t stand the smarmy, hypocritical upper-middle-class dictator nation that prevails and has always prevailed in this country.

“I’m up for petrol bombers, mate, and fighting in the streets.”

In the candid interview, Pete also revealed that 2006 has been a dark year, saying: “Sometimes I feel really guilty complaining about it because there are some amazing things happening around me.

“But the darkness has prevailed, to be honest, in extremis.”

Did Pete Doherty Give A Teenager In The Priory Cocaine?

Why, why, why?...

By: Lowri Williams

It has been reported that Babyshambles front man Pete Doherty was caught giving a teenage patient cocaine while undergoing rehabilitation at The Priory.

According to The Sun, a security guard saw Doherty handing the white stuff to a young man in the adolescent wing of the clinic.

Despite a 10pm to 8am curfew, Doherty managed to sneak out of his room and enter a separate wing.

After being told by clinic bosses that he would be banned from every Priory establishment in the country if he re-offended his solicitor was called and a bodyguard was assigned to keep a very close eye on him.

A source said: “Pete’s been drinking in The Last Chance Saloon for years. This is it. He has broken his bail by having drugs and shown contempt for the law and morality yet again. These are impressionable kids addicted to drugs.

“The last thing they need is a junkie rock star turning up with a wrap of cocaine.”

Doherty will be sentenced for the possession of drugs early next month.

Story taken from Entertainmentwise www.entertainmentwise.com/news?id=21438
© Entertainmentwise.com 8/27/2006

Kate Moss just can’t dump Doherty!

London, Aug 26: Supermodel Kate Moss seems to have become the perfect example of being blind in love, as her lover Pete Doherty’s stint in rehab does not seem to have diminished her affection for him.

Kate reportedly calls up Doherty in rehab reassuring him that she wants to marry him.

"Pete was practically in tears during one conversation telling Kate how much he loved her. He said: `If I hadn`t f***ed things up we`d be married by now. I thought you were going to leave me,`” a source was quoted by the Mirror, as saying. "It was very lovey-dovey," he added.

The Babyshambles star, who punched a nurse on Sunday, is wearing a pewter-coloured ring which he says marks their engagement.

Kate is in Bali with friends and stories spread that the pair planned to marry there last week, but the Babyshambles singer, 27, was ordered into the clinic after he was charged with five counts of possessing drugs.

Bureau Report with ANI inputs

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GAOTW: Grateful Dead

The Grateful Dead was an American psychedelia-influenced rock band formed in 1965 in San Francisco. The band was known for its unique and eclectic songwriting style—which fused elements of rock, folk music, bluegrass, blues, country, jazz, psychedelia, and gospel—and for live performances of long modal jams.

The Grateful Dead's fans, some of whom followed the band from concert to concert for years, were known as Deadheads and were renowned for their dedication to the band's music. Many followers referred to the band simply as The Dead.

The Grateful Dead became the de facto resident band of Ken Kesey's Merry Pranksters, with the early sound heavily influenced by LSD-soaked Acid Tests, as well as R&B. Their musical influences varied widely with input from the psychedelic music of the era, combined with blues, jazz, rock and roll, and bluegrass. These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world."

Lead guitarist Jerry Garcia was the de facto bandleader; however, although he was often seen both by the public and the media as 'leader' or a primary spokesperson for the Grateful Dead, he was reluctant to be seen that way, especially since Garcia and the other group members saw themselves as equal participants and contributors to their collective musical and creative output. Jerry, a native of San Francisco, grew up in the Excelsior District. One of his main influences was bluegrass music, and Garcia also performed—on banjo, his other great instrumental love—in the bluegrass band Old and in the Way with mandolinist David Grisman. Classically trained trumpeter Phil Lesh played bass guitar. Bob Weir, the youngest original member of the group, played rhythm guitar. Ron "Pigpen" McKernan played keyboards, harmonica and was also a group vocalist until shortly before his death in 1973 at the age of 27. All of the previously mentioned Grateful Dead members shared in vocal performance of songs. Bill Kreutzmann played drums, and in 1967 was joined by a second drummer, New York native Mickey Hart, who also played a wide variety of other percussion instruments. Hart quit the Grateful Dead in 1971, embarrassed by the financial misdealings of his father, Dead money manager Lenny Hart, and leaving Kreutzmann once again as the sole percussionist. Hart rejoined the Dead for good in 1975. Tom "TC" Constanten usurped Pigpen's position from 1968 to 1970, while Pigpen played various percussion instruments and sang. After Constanten's departure, Pigpen reclaimed his position on organ. Less than two years later, in late 1971, Pigpen was joined by another keyboardist, Keith Godchaux, who played grand piano alongside Pigpen's Hammond B-3 organ. In early 1972, Keith's wife, Donna Godchaux, joined the Dead as a backing vocalist. Keith and Donna left the band in 1979, and Brent Mydland joined as keyboardist and vocalist. Keith Godchaux died in a car accident in 1980. Brent Mydland was the keyboardist for the Dead for 11 years until his death in 1990. He became the third Dead keyboardist to die. Almost immediately, former Tubes keyboardist Vince Welnick joined on keyboards and vocals. For a year and a half, Welnick was often joined by special guest Bruce Hornsby on piano; Welnick died on June 2, 2006, reportedly a suicide. Robert Hunter and John Perry Barlow were the band's primary lyricists. Owsley "Bear" Stanley was the Grateful Dead's soundman for many years; he was also one of the largest suppliers of LSD.

The Grateful Dead are well-known for their nearly constant touring throughout their long career. They promoted a sense of community among their fans, who became known as Deadheads, many of whom followed their tours for months or years on end. In their early years, the band was also dedicated to their community, the Haight-Ashbury area of San Francisco, making available free food, lodging, music and health care to all comers; they were the "first among equals in giving unselfishly of themselves to hippie culture, performing 'more free concerts than any band in the history of music'

With the exception of 1975, when the band was on hiatus and played only four concerts together, the Grateful Dead toured regularly around the USA from the winter of 1965 until July 9, 1995—with a few detours to Canada, Europe and three nights at the Great Pyramid of Giza in Egypt in 1978. (They also appeared at the legendary Monterey Pop Festival in 1967 and the even more famous Woodstock Festival in 1969; their largest concert audience came in 1973 when they played, along with The Allman Brothers Band and The Band, before an estimated 600,000 people at the Summer Jam at Watkins Glen.)

Their numerous studio albums were generally collections of new songs that had been initially played in concert. The band was famous for its extended jams, which showcased both individual improvisation as well as a distinctive "group-mind" improvisation where each of the band members improvised individually, while still blending together as a cohesive musical unit, often engaging in extended improvisational flights of fancy. A hallmark of their concert sets were continuous sets of music where each song would blend into the next (a segue).

The Wall of Sound was an enormous sound system designed specifically for the Grateful Dead. The band was never satisfied with the house system anywhere they played, so in their early days, soundman Owsley "Bear" Stanley designed a PA and monitor system for them. Stanley's sound systems were delicate and finicky, and frequently brought shows to a halt with technical issues. After Stanley was placed in jail for LSD production in 1970, the group briefly used house PAs, but ultimately found them to be less reliable than the systems conceived by their former soundman. In 1971, the band purchased their first solid sound system from Alembic Inc Studios. Because of this, Alembic would play an integral role in the research, development, and production of the Wall of Sound. The band also welcomed Dan Healy into the fold on a permanent basis that year; Healy was a superior engineer to Stanley and would mix the Grateful Dead's live sound until 1993.

The desire driving the development of the Wall of Sound was for a distortion-free sound system that could serve as its own monitor system. After Owsley Stanley was released from prison in late 1972, he, along with Dan Healy, Mark Raizene of the Grateful Dead's sound crew, and Ron Wickersham, Rick Turner, and John Curl of Alembic Inc accomplished this by essentially combining eleven separate sound systems. Vocals, lead guitar, rhythm guitar, and piano each had their own channel and set of speakers. Phil Lesh's bass was quadraphonic, each of the four strings having its own channel and set of speakers. One channel amplified the bass drum, and two channels amplified the other drums and cymbals in stereo. Because each speaker was producing the sound of just one instrument or vocalist, the sound was exceptionally clear and intermodulation distortion between instruments was nonexistent.

The Wall of Sound was designed to act as its own monitor system, and it was therefore assembled behind the band so the members could hear exactly what their audience was hearing. Because of this, a special microphone system had to be designed to prevent feedback. The band used matched pairs of condenser microphones spaced 60 mm apart and run out-of-phase. The vocalist sang into the top microphone, and the lower mic picked up whatever other sound was present in the stage environment. The signals were summed, the sound that was common to both mics (the sound from the Wall) was cancelled, and only the vocals were amplified.

The Wall of Sound used 89 300-watt solid-state and three 350-watt vacuum-tube amplifiers to produce 26,400 total watts RMS of audio power. It was capable of producing acceptable sound at a quarter mile, and excellent sound for up to six hundred feet, when the sound began to be distorted by wind. It was the largest portable sound system ever built (although "portable" is a relative term). Four semi-trailers and 21 crew members were required to haul and set up the 75-ton Wall.

Though the initial framework and a rudimentary form of the system was unveiled in February 1973 (ominously, every speaker tweeter blew as the band began their first number), the Grateful Dead did not begin to tour with the full system until a year later in 1974. The Wall of Sound was very efficient for its day, but it did have its pitfalls in addition to its sheer size. Synthesist Ned Lagin, who toured with the group throughout much of 1974, never received his own dedicated input into the system, and was forced to use the vocal subsystem for amplification. Because this was often switched to the vocal mikes, many of Lagin's parts were lost in the mix. The Wall's quadraphonic format never translated well to soundboard tapes made during the period, as the sound was compressed into an unnatural stereo format and suffers from a pronounced tinniness.

The rising cost of fuel and personnel, as well as friction among many of the newer crew members (and associated hangers-on), contributed to the band's 1974 "retirement." The Wall of Sound was disassembled, and when the Dead began touring again in 1976, it was with a more logistically practical sound system.

Fans of the band are commonly referred to as Dead Heads. While the origin of the term may be shrouded in haze, Dead Heads was made canon by the legendary notice inside the Skull and Roses album. The Dead Heads formed a huge extended family. Many of the Dead Heads would go on tour with the band. As a group the Dead Heads were considered very mellow. "I'd rather work nine Grateful Dead concerts than one Oregon football game," Police Det. Rick Raynor said. "They don't get belligerent like they do at the games".

In 1987, the band finally scored a top 10 hit with the song "Touch of Grey" (from In the Dark), which garnered a new set of fans from the mainstream rock audience. This caused a bit of culture shock between some of the old and new fans, when the peaceful hippie counterculture met the boisterous '80s rockers. However the use of the term "Touch Head", for the newcomers, was short lived, as old and new "just listen[ed] to the music play".

The Grateful Dead allowed their fans to tape their shows like several other bands during the time. For many years the tapers set up their microphones wherever they could. Naturally the best sound was in front of the sound board. The eventual forest of microphones became a problem for the official sound crew. Eventually this was solved by having a dedicated taping section located behind the soundboard, which required a special "tapers" ticket. The band allowed sharing of tapes of their shows, as long as no profits were made on the sale of their show tapes. Recently, there was some dispute over what recordings archive.org could host on their site.

Grateful Dead Band Members (By Year)
(1965-1967)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
(1967-1968)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
Mickey Hart - drums
(1968-1970)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Tom Constanten - keyboards
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
Mickey Hart - drums
(1970-1971)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
Mickey Hart - drums
(1971)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
(1971-1972)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Keith Godchaux - keyboards
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
(1972)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Ron "Pigpen" McKernan - keyboards, harmonica, vocals, percussion
Keith Godchaux - keyboards
Donna Jean Godchaux - vocals
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
(1972-1974)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Keith Godchaux - keyboards
Donna Jean Godchaux - vocals
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
(1975-1979)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Keith Godchaux - keyboards
Donna Jean Godchaux - vocals
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
Mickey Hart - drums
(1979-1990)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Brent Mydland - keyboards, vocals
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
Mickey Hart - drums
(1990-1995)
Jerry Garcia - guitar, vocals
Bob Weir - guitar, vocals
Vince Welnick - keyboards, vocals
Phil Lesh - bass guitar, vocals
Bill Kreutzmann - drums
Mickey Hart - drums

They began as "The Warlocks", a group formed from the remnants of a Palo Alto jug band called "Mother McCree's Uptown Jug Champions." But as another band was already recording under the "Warlocks" name (probably not the New York Band Velvet Underground, but instead a band whose guitarist would eventually form ZZ Top), the band had to change its name in order to get a recording contract. After meeting their new manager Rock Scully, they moved to the Haight-Ashbury section of San Francisco. Many bands from this area, such as Jefferson Airplane, Big Brother & the Holding Company, and Santana, went on to national fame, giving San Francisco an image as a center for the hippie counterculture of the era. (Also see entry for the San Francisco Sound.) Of these bands, the Grateful Dead had members with arguably the highest level of musicianship, including banjo and guitar player Jerry Garcia, blues musician Ron "Pigpen" McKernan, the classically trained Phil Lesh and drummer Bill Kreutzmann. The Grateful Dead most embodied "all the elements of the San Francisco scene and came, therefore, to represent the counterculture to the rest of the country"

The Grateful Dead formed during the era when bands like the Beatles and the Rolling Stones were dominating the airwaves. Former folk-scene star Bob Dylan had recently put out a couple of records featuring electric instrumentation. Grateful Dead members have said that it was after attending a concert by the touring New York "folk-rock" band The Lovin' Spoonful that they decided to "go electric." Gradually, many of the East-Coast American folk musicians, formerly luminaries of the coffee-house scene, were moving in the electric direction. It was natural for Jerry Garcia and Bob Weir, each of whom had been immersed in the American folk-music revival of the late 1950s and early '60s, to be open-minded toward electric guitars. But the new Dead music was also naturally different from bands like Dylan's or the Spoonful, partly because their fellow musician Phil Lesh came out of a schooled classical and electronic-music background, while Ron "Pigpen" McKernan was a no-nonsense deep blues lover and drummer Bill Kreutzmann had a jazz background. Listening to their first LP (The Grateful Dead, Warner Brothers, 1967), one is also reminded that it was recorded only a few years after the big "surfing music" craze; that California rock-music sound seeped in, to some degree, as well.

The Grateful Dead’s early music (in the mid 1960s) was part of the process of establishing what "psychedelic music" was, but theirs was essentially a "street party" form of it. This was natural, because they played psychedelic dances, open-air park events, and closed-street Haight-Ashbury block parties. The Dead were not inclined to fit their music to an established category such as pop rock, blues, folk rock, or country/western. Individual tunes within their repertoire could be identified under one of these stylistic labels, but overall their music drew on all of these genres and more, frequently melding several of them. Often (both in performance and on recording) the Dead left room for exploratory, spacey soundscapes—a form of psychedelia that might run the gamut from strange to exotically beautiful. Most connoisseurs believe that the Grateful Dead's true spirit was rarely well captured in studio performance.

The early records reflected the Dead's live repertoire — lengthy instrumental jams with guitar solos by Garcia, best exemplified by "Dark Star" — but, lacking the energy of the shows, did not sell well. The 1969 live album Live/Dead did capture more of their essence, but commercial success did not come until Workingman's Dead and American Beauty, both released in 1970. These records largely featured the band's laid-back acoustic musicianship and more traditional song structures.

As the band, and its sound, matured over thirty years of touring, playing, and recording, each member's stylistic contribution became more defined and consistent, and identifiable. Lesh, who was originally a classically-trained trumpet player with an extensive background in music theory, did not tend to play traditional blues-based bass forms, but opted for more melodic, symphonic and complex lines, often sounding like a second lead guitar. Weir, too, was not a traditional rhythm guitarist, but tended to play jazz-influenced, unique inversions at the upper end of the Dead's sound. The two drummers, Hart and Kreutzman, developed a unique, complex interplay, balancing Hart's cleaner, more structured drumming with Kreutzman's interest in jazz and swing percussion. Garcia's lead lines were fluid, supple and spare, owing a great deal of their character to his training in fingerpicking and banjo. The overall effect was of an extraordinarily complex, interlocked group of individual instruments, which, at its best, had three or four simultaneous melodies rather than one.

Although he intensely disliked the appellation, Jerry Garcia was the band's de facto musical leader and the source of its identity. Garcia was a charismatic, complex figure, simultaneously writing and playing music of enormous emotional resonance and insight while leading a personal life that often consisted of various forms of self-destructive excess, including well-known drug addictions, obesity, tremendous financial recklessness, and three complex, volatile, often unhappy marriages.

Garcia's early life was profoundly affected by a series of tragedies. As a small boy, he witnessed his father's death by drowning in a freak accident while fishing in the Russian River. Later, in another accident, the middle finger on his right hand was accidentally amputated by his brother while the two boys were splitting kindling. Finally, as a young man, he was involved in a horrendous car accident which resulted in the death of a close and talented friend. Garcia narrowly escaped being killed himself.

This series of losses, coupled with the impact of psychedelic drugs and tremendous fame, gave Garcia's personality a unique, double-edged kind of rootlessness. At its best, this perspective resulted in a willingness to experiment musically that led to an improvisational style and an emotional perspective that made his music both wildly inventive melodically and brutally insightful lyrically. At its worst, particularly later in Garcia's life, the emotional pain of these early experiences propelled him into cathartic, self-destructive behavior that ultimately contributed to his untimely death.

The name "Grateful Dead" was chosen from the dictionary. Some claim it was a Funk & Wagnalls, others , the Bardo Thodol (Tibetan Book Of the Dead) , but according to Phil Lesh, in his biography (pp. 62), "...Jer (Garcia) picked up an old Britannica World Language Dictionary...(and)...In that silvery elf-voice he said to me, 'Hey, man, how about the Grateful Dead?'" The definition there was "A song meant to show a lost soul to the other side."

Following Garcia's death in August of 1995, the remaining members formally decided to disband. In June 1996 Bob Weir (with Ratdog) and Mickey Hart (with Mickey Hart's Mystery Box) joined six other bands to in the Further Festival. In 1998's Further Festival, the two were joined by the remaining members of the band to form The Other Ones. "The Strange Remain" is a live recording of The Other Ones during the 1998 Further Festival.

The main focus of the members was to pursue various solo projects, most notably Bob Weir's Ratdog, Phil Lesh and Friends and Mickey Hart's music for the 1996 Olympics. The remaining members occasionally got together under the pseudonym Crusader Rabbit Stealth Band during the late 1990s, infrequently playing unannounced shows.

The mid-2002 fall tour of The Other Ones, with Bob, Bill, Phil and Mickey, was so successful and satisfying that the band decided the name was no longer appropriate. On February 14, 2003, (as they said) "reflecting the reality that [was]," they renamed themselves The Dead, reflecting the abbreviated form of the band name that fans had long used and keeping "Grateful" retired out of respect for Garcia. The members would continue to tour on and off through the end of their 2004 Summer Tour - the "Wave That Flag" tour, named after the original 1973 uptempo version of the song "U.S. Blues." The band accepted Jeff Chimenti on keyboards, Warren Haynes on guitar and vocals and Jimmy Herring, also on guitar, as part of the band for the tour. Most recently, the Grateful Dead family (sans Lesh, who declined the invitation and instead opted to attend his son's orientation at Stanford) held the "Comes A Time" tribute to Jerry Garcia at the Greek Theater. Lesh's absence led to fan speculation about a schism in the band, which was exacerbated by the highly publicized Archive.org music downloading PR debacle, which set tensions high within the community. Although differences of opinion were exhibited publicly by various band members, Lesh helped clear the air about the "state of the band" by saying "A lot of our business disagreements are the result of poor communication from advisors. Bobby is my brother and I love him unconditionally; he is a very generous man, and was unfairly judged regarding the Archive issue." As for the future of the band, Lesh also said "The Dead is a big rusty machine that takes awhile to crank up. I am completely open to doing a Terrapin Station weekend and hopefully we will get it together for this summer."Unknown at present is whether such a "Dead" gathering will occur in 2006. In early May 2006 Lesh announced plans for a 24 date summer tour with a yet-to-be announced band lineup billed again as Phil Lesh & Friends. The tour begins with Tennessee's Bonnaroo festival on June 18.

External links
Official Grateful Dead Home Page
The DeadLists Project
The SetList Program - Set-lists and user submitted reviews/experiences.
The Grateful Dead Family Discography
The Compleat Grateful Dead Discography
The Annotated Grateful Dead Lyrics
The Grateful Dead Hour Radio Program - weekly radio show, nationally-syndicated on over 75 stations
Live Grateful Dead concerts available in streaming format/listed by listener rating
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